Book Review: "The Disaster Artist: My Life Inside 'The Room,' The Greatest Bad Movie Ever Made," Greg Sestero and Tom Bissell (Simon & Schuster, 2003)

Mystery Science Theater 3000 once had a recurring gag where TV's Frank would announce that some terrible movie, say, Gamera vs. Gaos , was "a triumph of the human spirit" in the tones of an overblown film reviewer who'd spent the last week on a steady diet of amphetamines and Chariots of Fire . It takes a lot to make The Room into an unironic triumph of the human spirit, but that's what Sestero manages. Sestero takes two narrative threads - his relationship with The Room and his relationship with the movie's creator, Thomas P. Wiseau, better known as Tommy Wiseau - and runs them in parallel until the concluding chapter. Given that separating Wiseau from The Room is impossible, the separation is more a matter of the focus of the moment, and on the timeline of storytelling, rather than a true separation. Because Sestero is at the same time describing his mostly unsuccessful efforts to become a working actor during the same period, the paralle...